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The study of narrative narratology has focused on written fiction, even though stories may be told narrated through a variety of media, including the cinema, but because motion pictures have historically drawn on literary sources, literary narratology has had a major influence on the study of film narrative as such.
By the early 20th century the Russian formalists had begun a project that aimed for an objective analysis of how narratives functioned, influencing the development of structuralism in the s and s and the emergence of narratology as a separate field of study. More recently, cognitive psychology has examined how humans perceive and construct narratives within cultural contexts and in their own lives.
Emerging understandings of narrative functions in new media also intersect with film study, while the recognition of narrative traditions in non-Western and minority cultures has begun to receive detailed consideration. For more than a century, filmmakers and critics have offered their own descriptions of film narrative, often directly or indirectly influenced by literary models and theories.
Citations in this article concentrate on texts dealing directly with film narrative and narration, narrative analysis, and different approaches to narratology; however, the selected works listed under Narrative Theory Literature and its sections are also included because of their particular importance to theories and issues in the study of film narrative.
Anthologies There are many anthologies on literary narrative and literary theory, but relatively few exclusively cover film narrative as such. Collections cited in this section include texts of special interest for the study of narrative in general and some that address questions about film narrative specifically.
The collection McQuillan begins with Plato c.
The Narrative Initiative is a training and networking resource for leaders and organizations dedicated to building fairer, more inclusive societies. Start studying Media Studies - Genre and Narrative (Skyfall). Learn vocabulary, terms, and more with flashcards, games, and other study tools. An introductions to Narrative theory for Media Studies students. From Barthes action and enigma codes to Syd Field's formulaic 3 act structure, a easy to unde.
The collection Rosen exemplifies a key point in the history of film theory, as high structuralism, with its pretentions to a quasiscientific mode of analysis, was beginning to yield to an emerging poststructuralist film theory heavily influenced by psychoanalytic and feminist film theory.
Several sections in Braudy and Cohen feature key essays that provide context for how concepts of narrative and narration in film have developed, such as the influence of cultural concepts of storytelling and the more recent impact of digital and interactive media.
The essays in Ryan also take up the challenges posed to narratology in general by various storytelling media, including film and interactive and digital media.
Stam and Raengo is a wide-ranging collection of essays dealing with narratology, adaptation, intertextuality, themes, and genres, in film and literature. Other anthologies are cited under specific sections.
For other citations, see works listed in Bibliographies and the bibliographies included in many of the books cited elsewhere in this article.
Braudy, Leo, and Marshall Cohen, eds. Film Theory and Criticism. Oxford University Press, The Cambridge Companion to Narrative. Cambridge University Press, Looks at important terms and concepts in the shifting field of narratology. Includes a brief glossary and lists of suggestions for further reading.
Students of film and narrative will find the chapter on psychoanalysis of special interest. Recommended for those new to narrative study. Columbia University Press, Though dated, still a useful text. Authors from several countries examine aspects of narrative, film narration, and film spectatorship through the lens of structuralist analysis and an emerging post-structuralist theory influenced by psychoanalysis and feminist theory.
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